Browse Items (7 total)

Floating Territories uses both the site (non)specificity of a ferry in Baltic Ocean (the site of ISEA 2004 for which the work was devised) and video-gaming to explore issues around real and 'virtual' territories. Presented as a game, players were…

Artist StatementIn this installation a rotating platform allows the viewer to interactively rotate a projected image within a large circular projection screen and explore a three dimensional virtual environment constituted by an emblematic…

Artist StatementColony is part artificial lifeform, part icon of a digital media landscape. The weathered totems use light and sound to communicate with one another in response to human presence. Affect the colour and sound patterns of the artwork by…

A temporary installation for an exhibition at the Women's Gallery in Melbourne - curated by Penny Webb. The work was made in collaboration with Anna Gibbs who wrote & performed the sound work with Nola Farman. The work used net hammocks &…

Several sections of old cars have been dragged into the gallery and electronically activated in some way - by sound and/or video. This piece was made in collaboration with Anna Gibbs, Brad Clinch and Helen Britton. An additional sound track of a…

Two armchairs face each other across an island of carpet. One of them is occupied by a large red plastic love heart, steadily beating and pulsing with light. As anyone approaches, the heart beats faster and louder, subsiding as s/he moves away again.…

A cast book with a Braille text has photosensitive cells which when touched produce sounds which can be heard from speakers located around the ceiling. The sounds allude to the meaning of the text that can only be fully understood by Braille readers.…