Browse Items (14 total)

  • Tags: Hazel Smith

http://w0504.uws.edu.au/adeltaImages/Smith/film/Smith_film_image1.png
Electronic art video and interactive works generally prioritize image over sound, this is also the case in commercial culture at large. For this work, we chose a different approach, in keeping with the central focus of the commissioning ensemble,…

http://w0504.uws.edu.au/adeltaImages/Smith/Clay/Smith_Clay_image1.png
Artist StatementClay conversations arose out of collaborative conversations I had with British ceramicist Joanna Still. After several meetings and exchanges, Joanna created some ceramics which evoked various forms of communication, for example a clay…

http://w0504.uws.edu.au/adeltaImages/Smith/instabilities2/Smith_instabilities2_image1.png
Instabilities 2 [...] subjects a discontinuous text to various kinds of processing. The screen is divided into three sections which counterpoint each other. The top section consists of a video made by Hazel Smith comprising twelve short texts. The…

http://w0504.uws.edu.au/adeltaImages/Smith/proseThetic/Smith_proseThetic_image2.png
Artist StatementProseThetic Memories is a collaborative, fictocritical and cross-genre text which combines prose, poetry, cultural theory and philosophy. It challenges traditional ideas about memory as a process of storage and subsequent retrieval.…

A motile and spatial algorithmic speech piece, performed by Greg White and Roger Dean. The text by Hazel Smith which forms the basis of Mid-Air Conversations consists of seventeen short fragments. All the fragments are stylistically and thematically…

smith_time_the_magician_image2.png
Time, the magician is a collaboration by Hazel Smith and Roger Dean written in the real-time algorithmic image-processing program Jitter. The piece begins with a poem, written by Hazel, on the subject of time: influential on the writing of the poem…

http://w0504.uws.edu.au/adeltaImages/Smith/SoundAFFECTs/Smith_SoundAFFECTs_image1.png
Artist StatementThe multimedia work, soundAFFECTs, employs the text of 'AFFECTions' as its base, but converts it into a piece which combines text as moving image and transforming sound. For the multimedia work Roger Dean programmed a performing…

smith_intertwingling_image1.png
Artist StatementThe egg, the cart, the horse, the chicken was written by Hazel Smith (text) and Roger Dean (sound). The hypertext and animations, written in Flash by Hazel Smith, are designed for a split screen. The texts in both the upper and lower…

http://w0504.uws.edu.au/adeltaImages/Smith/walkingFaultlines/Smith_walkingFaultlines_image1.png
A work created for CD-ROMs interactive participation, and amongst the winners of a competitive submission to the International Computer Music Association, who released it in 2000, on their 'Cyberquilts' CD-ROM anthology. The work can also be…

smith_wordstuffs_image2.png
This is an interactive hypermedia piece, designed for the web, and comprising text, sound, graphics and animation. Participants can create their own alternative pathways and combine the elements in many different ways. The work concerns the interface…