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ADELTA Item
Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA).
Platform
Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime
HTML/Java
Work URL
The URL of the original work, included as an HTML link.
<a href="http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/javainf1.html">http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/javainf1.html</a>
Genre
Web based digital poetry
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
Zervos_javaPoems
Title
A name given to the resource
Java Poems
Creator
An entity primarily responsible for making the resource
Zervos, Komninos
Description
An account of the resource
This trio of early e-poems were written in HTML and use Java applets to shape their linguistic texts with a careful touch. 'Infinity' and 'Internet Junkie' both change the colour of the text over a schedule to shape readings and to imbue them with a nervous energy. In 'Infinity' (displayed above) the rarely used tag reinforces the instability of textual meaning as the phrases can be read with and without the three blinking words, 'reality,' 'literary,' and 'Why?' In 'Internet Junkie' the increased rate of colour change from one stanza to the next mimics the increasing urgency of the addict's need. The final poem in the piece uses the 'NervousText' applet by Daniel Wyszynski to animate its words, 'KOMNINOS is a poet,' which can be soothed into static stability with a mouse click.<br /><a href="http://iloveepoetry.com/?p=403">Excerpt of Leonardo Flores' description, I love E-Poetry</a>
Language
A language of the resource
English
Rights
Information about rights held in and over the resource
Copyright Komninos Zervos. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.
Subject
The topic of the resource
Cyberpoetry
HTML
Java
Kinetic
Responsive
Cyberpoetry
HTML
Java
Kinetic
Komninos Zervos
Responsive
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ADELTA Item
Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA).
Platform
Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime
gif animation
Work URL
The URL of the original work, included as an HTML link.
<a href="http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/animgif.html">http://komninos.com.au/cyberpoetry/cyberpoetry1995-1997/animgif.html</a>
Source of Description
The source of information included in the Description, included as an HTML link to the relevant URL where possible.
<a href="http://iloveepoetry.com/?p=404">Excerpt of Leonardo Flores' description, I love E-Poetry</a>
Genre
Web based digital poetry
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
Zervos_dimocopo
Title
A name given to the resource
Dimocopo - digital moving concrete poetry
Creator
An entity primarily responsible for making the resource
Zervos, Komninos
Date
A point or period of time associated with an event in the lifecycle of the resource
1995-1997
Description
An account of the resource
This suite of 28 early animated poems from 1995-1997 were created as animated GIFs but are really powered by a vibrant enthusiasm over the ability of computers to write kinetic language. In this suite, we see words morph into other words and into objects, words whose movements evoke their meanings, words used to build landscapes full of objects (a decade before WordWorld), and phrases reconfiguring and reshaping themselves into new ones - as is the case with 'she left' (above). This poem is very economical with its language resources, yet so effective in describing the psychological process of a breakup in a relationship.<br /><a href="iloveepoetry.com/?p=404">Excerpt of Leonardo Flores' description, I love E-Poetry</a>
Language
A language of the resource
English
Rights
Information about rights held in and over the resource
Copyright Komninos Zervos. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.
Subject
The topic of the resource
Animated gif
Cyberpoetry
Digital moving concrete poetry
HTML
Kinetic
Animated gif
Cyberpoetry
Digital moving concrete poetry
HTML
Kinetic
Komninos Zervos
-
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ADELTA Item
Items included in the Australian Directory of Electronic Literature and Text-based Art (ADELTA).
Platform
Software platform or means of display e.g Installation / YouTube / HTML / Flash / Twitter / QuickTime
Flash
Work URL
The URL of the original work, included as an HTML link.
<a href="http://komninos.com.au/cyberpoetry/">http://komninos.com.au/cyberpoetry/</a>
Source of Description
The source of information included in the Description, included as an HTML link to the relevant URL where possible.
<a href="http://iloveepoetry.com/?p=401">Excerpt of Leonardo Flores' description, I love E-Poetry</a>
Genre
Web based digital poetry
Publication Type
The publication type is the means and channels by which a work is made public.
Online/CD ROM
Dublin Core
The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.
Identifier
An unambiguous reference to the resource within a given context
Zervos_flashPoems
Title
A name given to the resource
Flash Poems
Creator
An entity primarily responsible for making the resource
Zervos, Komninos
Date
A point or period of time associated with an event in the lifecycle of the resource
2003/2005
Description
An account of the resource
The first two of this list of poems stand out because of their use of Flash. Komninos' approach to Flash in his poem 'Beer' is similar to the work he published in animated GIFs: a sequence of words, morphing from one to the next producing surprising and amusing juxtapositions. It is with 'Love' (image above) that he took advantage of Flash's strengths: responsiveness to user input and audio synchronization. 'Love' creates a simple interface that triggers some not-lovely sounds when moused over or clicked on. The words readable within its circles are replaced by their opposites, portraying love as a kind of minefield full of triggers that can turn trust into jealousy, heartache into separation, or simply cause pain.<br /><a href="http://iloveepoetry.com/?p=401">Excerpt of Leonardo Flores' description, I love E-Poetry</a>
Language
A language of the resource
English
Rights
Information about rights held in and over the resource
Copyright Komninos Zervos. The copyright of images posted on the ADELTA Website belongs to third parties and is included on this website by permission from copyright holders. Apart from any use permitted by the Copyright Act 1968 (including fair dealing) the images may not be downloaded, adapted, remixed, printed, emailed, stored in a cache or otherwise reproduced without the written permission from the copyright holder.
Subject
The topic of the resource
Cyberpoetry
Kinetic
Responsive
Cyberpoetry
Kinetic
Komninos Zervos
Responsive